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The first personal encounter of Mme. de Genlis with the Revolution was one afternoon in 1790. She had driven with Mademoiselle d��Orl��ans, the Comte de Beaujolais, Henriette de Sercey, and Pamela, to a village about twelve miles from Paris, where, unluckily, a fair was going on and a great many people collected together. They took it into their heads that the party were the Queen, Madame Royale, and the Dauphin trying to escape, and, surrounding them with anger, forced them to get out of the carriage and refused to believe their explanations.

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ONE:Napoleon gave him a consulship at Alicante, where he spent some years. Before he went, Ouvrard offered him the cottage in the Champs-Elys��es and a pension of twelve thousand francs, which he refused with indignation. He was again a journalist, and would live by his pen.��Ah!�� he said, ��Madame is no ouvri��re; it is very well known who she is.��

ONE:For nine years Mme. de Genlis lived at the Arsenal, and then moved to another apartment, but was always surrounded with friends and consideration. Except amongst her immediate relations and adopted children, she was not so deeply loved as Mme. Le Brun, or even the eccentric Mme. de Stael, but her acquaintance and friendship was sought by numbers of persons, French [469] and others, who were attracted by her books, conversation, musical, and other talents.��Que faites vous maintenant?��

ONE:

ONE:In 1802 Mme. Le Brun revisited this enchanting place, or rather the ground where it used to be. It was entirely swept away; only a stone marked the spot where had been the centre of the salon.The Abbess might receive in her apartment and at dinner whatever guests she chose, men or women, but no men might go to the cloisters or any other part of the abbey. She had a carriage, horses, and servants of her own, and might go out when and where she pleased, taking with her any nuns she chose. She often drove to see different farms, &c., belonging to the abbey, and to visit sick people.

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THREE:Louis XVI., who liked talking to her about her pictures, said one day��However, the King soon began to yield.

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ONE:

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THREE:But what to Mme. Le Brun was of great importance during her stay at Antwerp was a portrait by Rubens, the famous Chapeau de Paille, then in a private collection, where she saw and was fascinated by it. The effect of light and shade caused by the arrangement of the two different lights, the ordinary [50] light and the sunlight, was what chiefly struck her, and having studied the picture with deep attention she proceeded, on returning to Brussels, to paint her own portrait with the same kind of effect: wearing a straw hat with a wreath of wild flowers, and holding a palette in her hand.

THREE:[118]��Well, who am I, then?��

THREE:��Comtesse de Noailles, you forget the grand-aum?nier, to bless the rising sun after having exorcised the spirits of darkness.��

THREE:

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ONE:The Empress was not in the least like what she had imagined. Short and stout, though exceedingly dignified, her white hair was raised high above her forehead, her face, still handsome, expressed the power and genius which characterised her commanding personality, her eyes and her voice were gentle, and her hands extremely beautiful. She had taken off one of her gloves, expecting the usual [126] salute, but Lisette had forgotten all about it till afterwards when the Ambassador asked, to her dismay, if she had remembered to kiss the hand of the Empress.

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ONE:

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THREE: